The New Yorker Turned 100

Oh, how many times during brainstorming sessions have we heard the phrase: "This will be in The New Yorker style," yet no one has managed to replicate such a publication. Fortunately, nowadays, everyone just wants to be a twitter blogger. But The New Yorker, now 100 years old, remains one of a kind. It’s not just a magazine but a visual archive of time, where each cover reflects an era. Today, I’m sharing a selection of the best (and personally significant) covers.

"Reflections", Ana Juan (September 12, 2011)

This cover was released on the 10th anniversary of the 9/11 attacks. Juan masterfully uses the reflection effect: the modern skyscrapers of Manhattan on the water form the silhouette of the Twin Towers. It’s not just a tribute but a visual poem, a reminder of the emptiness left after the tragedy.

"Skyline of NYC at Sunset with Icarus", Eric Drooker (June 12, 1995)

Here, the artist plays with the myth of Icarus, who flew too high. Against the backdrop of a New York sunset, the figure of a falling man appears both symbolic and unsettling. Perhaps it’s a metaphor for a city where ambition can lead to both triumph and downfall.

"New Yorker January 12th, 1963", Arthur Getz

A classic illustration by Getz immerses us in the atmosphere of New York’s subway in the early ’60s. Dark tracks illuminate train cars, and deep perspective creates the feeling that you’re standing on the platform waiting for a train. This cover is a true vintage look at the city's everyday magic.

"Liberty’s Flameout", John Tomac (February 13, 2017)

Is freedom fading? This cover replaces the torch of the Statue of Liberty with a plume of smoke rising into the dark sky. Tomac created a powerful visual commentary on the U.S. political climate at the beginning of Trump’s presidency. Minimal details, but maximum impact.

"Moment of Joy", Jack Hunter (July 8, 2013)

For pop culture fans, this is one of the most iconic covers. It depicts Bert and Ernie from Sesame Street, cozily sitting in front of a TV broadcasting the legalization of same-sex marriage in the U.S. 

"New Yorker #1205", Peter Blum (November 20, 1948)

A captivating scene of a hunter sitting among reeds, warming his hands, perfectly captures the feeling of a cold autumn morning. The watercolor style makes this cover especially expressive and lively, creating an atmosphere of peace and solitude in nature.

"New Yorker #1221", (March 14, 1959)

A minimalist design with a green background and a small but expressive character in a tuxedo carrying a cane, walking proudly. A simple yet elegant illustration that embodies the spirit of mid-20th-century New York.

"New Yorker #2394", (December 30, 1972)

This cover references the space race: a view from the Moon to Earth, with an American flag nearby. An ironic touch in the form of a swirling signal, resembling either cigarette smoke or a broadcast signal, adds depth to the image.

"New Yorker #3152", (April 3, 1989)

A cover depicting chaotically layered women's accessories creates a sense of luxury, fashion, and the everyday chaos of a big city. The influence of Cubism and Modernism is strongly felt in this artwork.