Supergloss: From Berlin's Underground To The Global Stages

Berlin-based DJ and producer Supergloss has rapidly become a standout in the techno and trance world, seamlessly fusing the timeless sounds of 90s and 00s with a modern twist. Her infectious energy, dedication to the craft, and ability to evoke both nostalgia and innovation have captivated audiences globally. Releasing her first EP called Space Office which you can check out below:

We had the privilege of sitting down with Supergloss to discuss her journey, inspirations, and what lies ahead.

Lina, your music blends influences from 90s and 00s techno with a modern twist. How do you balance honoring the roots of the genre while pushing its boundaries into the future?

Trance and Acid Techno had their golden era a few years before I was even born – so of course I have a different perspective on it than DJs who actually experienced those times. For me, it’s more of a feeling or atmosphere I want to include in my sets with this selection – and because of modern influences, I have my own way of delivering this sound. I think it’s important to use the technology accessible to us now and try to give these old, sometimes forgotten tracks a new platform. I’m a big fan of the music that played at events like Loveparade in the 90s, for example – but this music often doesn’t work in a club setting. So I try to put it in a new context, using these tracks as highlights or ear candy at unexpected moments. These are often the tracks people remember after a night out. I think it’s sad that many people associate Trance today only with Pop Edits or Eurodance – it’s so much deeper and holds the emotions of a whole generation. To truly honor it, you have to understand it, understand the meaning behind these tracks – not just make a fast-paced edit of them. You can use the original – just get creative with it.

You’ve described your music as activating listeners’ feminine energy with playful beats. How does this concept influence the way you approach producing or crafting a set?

Whenever I’m preparing a set, I try to envision what I would like to hear at that moment. I need music that moves me from inside, that makes me feel confident and cheerful – that’s when I really enjoy a set. So I try my best to translate that into my selection – anything that makes me feel like it can make me move the way I enjoy moving. And I see it translated on the dancefloor as well. Often the guys take a step back, and the front row is filled with women in groups just smiling and enjoying – that’s when I know I’ve got them right on the spot where I wished them.

Transitioning from classical piano at age five to spinning techno tracks in Berlin is quite a leap. Was there a defining moment that sparked your love for electronic music?

Definitely, the Berlin club scene started a fire in me. Before moving here, I was going to some festivals that had electronic music acts, like Nature One or Piknic Électronik in Montreal – but I don’t think I really understood it at that point in my life. The nightlife in Berlin really taught me the concept and the community behind this music – and I instantly knew I wanted to become part of it. Having a musical education is very helpful because it shows that, even though techno music is quite repetitive and technological, it’s deeply theoretical – just like playing the piano.

Berlin is a mecca for electronic music. How has the city’s vibrant club culture shaped your identity as a DJ and producer?

I feel pretty blessed that I made my first steps as an artist in this city. When you attend club nights in the highly respected venues of this community, you can actually hear the quality. I understood what it means when the DJ is able to read the crowd, the window blinds open up after a few hours, or what it means to stay impatiently in the toilet queue because you don’t want to miss a second of the DJ set. I learned from these experiences – and I try to bring this vibe to other cities now. Being a techno fan living in Berlin is a privilege, and not every country has access to this level of quality. So I try to enrich my own selection, way of working, and especially my expectations for myself from this.

Your performances are known for their infectious energy and fresh perspective. Can you share a particularly memorable gig where you felt the crowd fully connected with your vibe?

Last year I was touring in South America for the first time – also my first time visiting. I felt like the people were really waiting for my set, and from the first moment I played in Santiago, nobody left their spot. Sometimes, as a DJ, you have these moments when you lock eyes with almost everyone on the dancefloor, and they all look satisfied – that’s the best feeling in the world. My mission is to make people happy, and it’s my goal – I felt like I accomplished that there.

You’ve played at notable events like Glitch in Malta and ARC Festival’s Area 909. How does performing internationally differ from playing in Berlin, and how do you adapt to different audiences?

Usually, I don’t expect anything specific from a crowd in a country I’ve never played – being open-minded is very important because you never know until you experience it. I try my best to focus on my own sound that I want to present, while also considering the playtime and slot. I’ve had moments where I tried to play something I thought people would enjoy, and it turned out completely the opposite. I love being surprised and getting to know new crowds and cultures – it’s always so refreshing.

Your sets span acid, trance, and techno, offering a new adventure with each mix. How do you keep your performances fresh and unpredictable while staying true to your style?

Digging for music! Spending a lot of time in music libraries really shapes your sound. If you are clear about which elements you like and that are part of your signature, you can get experimental with them.I get bored playing the same tracks over and over again – so I also tend to change it up for myself.

Appearing on the Playful Podcast, you touched on dealing with viral streams and nerves. How do you maintain your confidence and creativity in such a high-pressure industry?

One of the most important lessons for me was to stop overly comparing myself with others around me. If you focus on your own journey, your confidence and creativity have room to grow. If you attach these feelings to others, it’s out of your control. I don’t mix or produce to climb the career ladder or to reach some set goal – I make music to help people forget about their problems for a few hours. That also helps to take the pressure off. We are all there to party and enjoy, so I want to corporate that into my mindset too.

Collaboration often fuels creativity in electronic music. Are there any artists, past or present, who’ve inspired your work or who you’d love to collaborate with?

Of course, my partner in life and music, Omon Breaker, was a big inspiration for me – he’s taught me a lot of production skills. My best friend also taught me how to DJ. I’m very happy to have people around me who’ve passed on these skills in such an easygoing and fun way. Musically, artists like Sterling Moss, Thomas Schumacher, or DJ T-1000 have shaped my sound a lot through their releases. I’m excited to see what direction the future will take me in!

When someone finishes enjoying one of your shows or listens to your music, what’s the lasting impression or feeling you hope they take with them?

Joy – not the hands-in-the-air type of joy, but the feeling that everything was fine in that moment. I believe that even in the darkest underground clubs, it’s possible to transport some kind of bliss.

Your first solo EP is set to release in January on Noom Records—congratulations! Can you share what this project means to you, the inspirations behind it, and whether we can look forward to more solo work in the near future?

Thank you! I’m so excited about it – I can’t believe I’ll be releasing on my all-time favorite label. I’m already working on new music since I’ve found a new passion for it. It makes the DJing part feel so much more intense and meaningful when you can play your own tracks – it’s a bit magical.

Supergloss is proof that techno can be both a celebration of its history and an exploration of its future. With her first solo EP and an ever-expanding tour schedule, her journey is just getting started—and we can’t wait to see where she goes next.

Listen to Supergloss on Spotify and follow her on Instagram @Supergloss

Credits:

Photography: Raffa Sciuto & Richard Adamek 

Designer: Sebastián Plaza Kutzbach (INGRATO)

Styling: Catarina Assunção