![](https://nyc3.digitaloceanspaces.com/fizzy/uploads/article/top_photo/bfdc16b6-9f31-4123-969d-c0d681b895bb/Lana-Topimage.jpg)
Lana Del Rey Sets the Standard of 1930s Glamour
Channelling old Hollywood classic.
Lana Del Rey continues to embrace her elegancy Glamour aesthetics yet again with her appearance in Variety’s eighth-annual Hitmakers event, where she also credited Jack Antonoff for her marriage with her husband Jeremy Dufrene, in graceful style.
Lana Del Rey’s aesthetic over the years is a cultural phenomenon signature styles of nostalgia meets romanticism meets past elegance. Her music videos and promotional imagery frequently borrow from the glamour Americana vibes of the late 1900s. Her aesthetic is also compiled with the balance between beauty and darkness, inviting fans to embrace complexity, find beauty in sadness, and revel in the timeless allure of a world that feels just out of reach.
Over time the singer's aesthetic has evolved, incorporating modern elements while maintaining its nostalgic core. In albums like Chemtrails Over the Country Club and Blue Banisters, her visual and lyrical themes become more mature. The shift is subtle, showing growth while retaining the cinematic quality that defines her work. She demonstrates this aesthetic in the Variety’s Hitmakers event.
The singer showcased her signature vintage-meets-subtle glam style in a navy glitter knitted jumper, fitted black flowy trousers, and black ballet-style pumps — channeling a dark, romantic aesthetic. However, her jewelry and hair make it a Del Rey classic, with a shiny silver pair of necklaces, rings, and earrings complementing her loose golden-brown waves. Lana’s hair stylist Anna Cofone describes the look as “a little 1930s glamour”.
During the Variety Hitmakers event, Lana briefly mentions her marriage with Jeremy Dufrene and explains the expectations in the industry about her marriage.
“I feel like there’s a singers’ curse around meeting an honest partner who has no skin in the game, no dog in the race,” Mentions Lana. “It’s super nerve-wracking to hold on to an innocent perception of how things could go when you’re in an industry where maybe your values and your morals don’t quite match up with what’s going on.”