Fake Mannequin Are Reviving Trip-Hop — One Soft, Mechanical Beat at a Time
The Copenhagen duo bringing trip-hop back into 2026.
Trip-hop has always lived in the space between worlds: human and machine, intimacy and distance, softness and control. With their debut single Same Tree, Danish duo Fake Mannequin tap straight into that tension—and make it feel urgently relevant again.
Consisting of Amy Horn and Tor Laurens, Fake Mannequin feel less like a traditional band and more like a shared state of mind. The two met by chance at Copenhagen harbour, and from their first studio sessions, the music seemed to assemble itself almost instinctively. Few words, no overthinking—just sound finding its shape.
The name Fake Mannequin says everything. A mannequin is already artificial, so what happens when it’s fake, too? The answer lies at the heart of their sound: something rigid yet emotional, synthetic but breathing. On Same Tree, machine-driven beats and looping electronics form a precise backbone, while warm basslines, hand-played textures, and Amy’s quietly powerful vocal bring the song unmistakably to life.
Listen to Fake Mannequin’s debut single “Same Tree” below.
Sonically, the track nods to 90s trip-hop icons like Portishead and Massive Attack, but this isn’t nostalgia for nostalgia’s sake. Fake Mannequin rework the genre through a contemporary lens—minimalist, clean, and emotionally charged. Amy’s voice moves effortlessly from fragile intimacy to soaring, choral-led moments, carrying a sense of vulnerability that feels both cinematic and close to the skin.
Lyrically, Same Tree explores the bittersweet realization of outgrowing someone you’re still deeply connected to. Two people branching in different directions, shaped by the same roots. It’s personal without being insular, universal without being vague—the kind of emotional clarity that lingers long after the track fades out.
What makes Fake Mannequin compelling isn’t just their sound, but their restraint. Everything is intentional. If something repeats, it’s looping on purpose. If something feels exposed, it’s meant to. The result is a track that feels suspended between motion and stillness—like standing in a room where something important just happened.

Same Tree drops February 5 and marks the first release from Fake Mannequin’s upcoming debut album, set to arrive in May. Written during an intense, short creative window and only now seeing the light of day, the album promises a fully formed universe—no filler, no compromises.
Trip-hop isn’t just back. In Fake Mannequin’s hands, it’s evolving—quietly, beautifully, and on its own terms.