How The Last Dinner Party Redefines Style

The significant contribution of The Last Dinner Party to the contemporary music and fashion industries has been widely recognized. Their debut album, "Prelude to Ecstasy," was released on February 2, 2024, and immediately took the number one spot on the UK Albums Chart, becoming the most successful debut album in the UK in the last nine years. That same year, their summer tour became a sensation, captivating audiences not only with their music but also with their artistry. At their concerts, Abigail Morris, Lizzie Mayland, Georgia Davies, Aurora Nishevci, and Emily Roberts staged theatrical performances that immersed fans in a baroque world intertwined with rock. Today, we take a closer look at the band's key outfits and once again confirm why The Last Dinner Party is a unique phenomenon of this decade.

As the band members themselves note, their style and experimentation have been inspired by such icons as David Bowie, Chloë Sevigny, Lana Del Rey and Meryl Streep. It’s no surprise that, for these musicians, fashion and music go hand in hand. Before every concert, they meticulously prepare both the stage décor and their looks. Fans worldwide eagerly follow the group’s dress codes, combining what might initially seem impossible: elements of baroque, Victorian aesthetics, glam rock, and even modern sportswear, all in an effort to emulate their favorite performers.

On August 25, at Bramham Park in Leeds, England, Abigail Morris appeared on stage in a vintage beige-and-red skirt suit by Marithé & François Girbaud and a ruffled shirt, completing her romantic look with what appears to be her favorite model of cowboy boots, a recurring element in many of her outfits. Contrasting delicate and bold elements is a signature approach of the group. Emily Roberts, for example, at their October 16 concert in London, England, combined a cascading floor-length white lace cape with massive leather thigh-high boots on a thick heel.

A particularly admirable aspect of the group is their support for young designers, offering them a platform to showcase their creativity. Independent creators from the UK and Ireland bring their daring ideas to life, which is especially valuable in an industry dominated by major brands. For instance, at many concerts, including one in Oslo in 2023, Abigail Morris captivated the audience in a dress by Sophie Spratley’s Rabbit, complemented by a crown of thorns. The designer’s work is characterized by a narrow empire waistline and babydoll silhouettes, making it a perfect fit for The Last Dinner Party’s unique aesthetic.